A Look At The Impact Of Independent Films
On the business side, the costs of big-budget studio films also leads to conservative decisions in cast and crew. There's a trend in Hollywood towards co-financing (over two-thirds of the films put out by Warner Brothers. In 2000 were partnerships, up from 10% in 1987). An optimistic director is almost never given the chance to get a job on a big-budget studio film unless he or she has significant industry experience in film or television. Also, the studios barely produce films with unknown actors, especially in lead roles.
Before the arrival of digital options, the cost of professional film equipment and stock was also a hurdle to being able to produce, direct, or star in a conventional studio film. The price of 35 mm film is out pacing inflation: in 2002 alone, film negative costs were up 23%, according to Variety.
But the appearance of customer video recorders in 1985, and very significantly, the coming of high-resolution digital video in the early 1990s, have lowered the technology barrier to film production seriously. Both production and post-production costs have been seriously decreased; today, the hardware and software for post-production can be installed in a commodity-based computer. Technologies such as DVDs, FireWire connections and non-linear editing system pro-level software like Adobe Premiere Pro, Sony Vegas and Apple's Final Cut Pro, and consumer level software such as Apple's Final Cut Express and iMovie make movie-making relatively inexpensive.
Since the introduction of DV technology, the means of production became more democratized. Filmmakers can conceivably shoot and edit a production, create and edit the sound and music, and mix the final cut on a home PC. However , while the means of production might be democratized, financing, distribution, and marketing remain tricky to attain outside the traditional system. Most independent filmmakers rely on film festivals to get their films noticed and sold for distribution. The coming of net based video outlets such as YouTube and Veoh has further changed the film making landscape in ways which are still to be determined.
An open content film is very similar to an independent film, nonetheless it is produced thru open collaborations; its source material is available under a license which is permissive enough to allow other parties to create fan fiction or derivative works, than a traditional copyright. Like independent film making, open source film making takes place outside of Hollywood, or other major studio systems.
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